Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Thursday, April 30, 2026

Photography as Darshan


Raghu Rai, a famous Indian photographer, passed away this week (26/04/2026).

Having grown up seeing his amazing photographs in newspapers and magazines it felt a bit strange to see those same images turning up on the small but all pervasive screens of the new social media. Over the past few days, while we collectively mourn his passing, friends have posted PDF copies of his book "Picturing Time" (2015) on Whatsapp; YouTube algorithms brought up some of his earlier interviews where, with his usual charm and wit, describes his own world view, the difference between "drishti", the act of seeing, and "darshan" which is much more difficult to describe: 

Kehte hain ke kann kann mein bhagvan hai. They say that God exists in every grain. This is not to say that you lift a stone and you will find God. The ability to connect. With anything and everything. Significant or mundane. Precious or ordinary. When you start caring for everything, everything around you starts caring for you in some way or the other, so you stand connected. You connect with every inch of space and respond. It’s having a complete awareness of things, and by that I mean not only the physical but also the emotional and spiritual aspect. Even a breeze blowing — what does it do to you and the entire space around you? This is what is so magical about human life and the human spirit — that some people appear from somewhere, some situations arise from somewhere to bless you with the unexpected — and that is darshan. This is the way I look at it.

It is quite amazing to think how Raghu Rai managed to turn up with his camera - almost Forrest Gump like - at almost every historical event over the past 60 years. He was there at Prime Minister Lal Bahadur Shastri's funeral (1966); the ascent, descent and assasination of Indira Gandhi; Mother Teresa, Dalai Lama; The Bangladesh Liberation War (1971); Pokhran N-tests (1974); Operation Bluestar and Bhopal Gas Tragedy (1984), Kargil War (1999), not to mention his photo chronicles of some of India's greatest artists - Statyajit Ray, Bismillah Khan, Hariprasad Chaurasia, MS Subbalakshmi, S Balachander.

In the last set, these are my favourites :)




Sunday, July 28, 2024

Switching to Sony


Over the past two weeks, I have been looking for options. Now there are so many that I am spoilt for choices - the world of digital cameras has changed a lot over the past 15 years. Cameras have become lighter, smarter and a lot more user-friendly.

What I loved about the D90 kit was that it was sturdy and versatile with a superb battery life - on a single charge I could get over ~850 frames, without the hassle of carrying around the clunky charging kit. The 18-105mm lens was great for wide-angle shots, portraits as well as a respectable zoom. What I did not like was the bulk - it was way too heavy to lug around for treks in the Himalayas. The battery for all is greatness on the plains would simply fail at low temperatures. On brilliant starlit nights when temperatures dropped below zero, the battery would play dead and miraculously come back to life when we descended to warmer climes. 

 

So what was I looking for? First of all, I wanted to graduate from an APS-C to a full-frame digicam, from an SLR to a mirror-less camera. The camera had to be weather-sealed; it had to be as light and compact as possible, and still have a decent battery-life. I knew mirrorless cams were battery hogs, but still, I did not want to carry around chargers/adaptors, and I wanted a camera that offered the highest possible exposures on a single charge.

 

My first option was to stick to the Nikon family. I was familiar with the layout of the camera, and I had been a happy customer for the past 15 years. Unlike the Canon G9 which died on me within a year of purchase in Japan, this one never gave me any trouble (until last week), from the time I had purchased it in 2009 from Yodobashi-Akiba,Tokyo. Starting with the trek to Mt. Fuji summit a week later, it had been with me through all kinds of terrain - mountains, deserts, beaches, humid tropics, the works.


The problem with the Nikon D-90 was that its lenses could be used only on APS-C format bodies, unless, of course you were willing to spend about 25k to buy an adaptor. For that price, I could get a new set of primes! So the Nikon Z5 was out. If I were to stick to APS-C format, FujiFilm offered some good choices with models like the X5 but the price and weight brought me back to the question - if I had to spend so much money anyway, why not focus on full-frames?


This brought me to the Panasonic Lumix S5. I liked the sturdiness of this camera and the demo where mugs of water were poured over it without any apparent effect. Then again, the weight and overdose of knobs and dials on the body put me off. Lens options are limited too.


It is as this stage that I came to know about the Sony E-mounts. Unlike Nikon which has a different set of mounts for its full-frame and APS-C cameras, Sony has the same one across its detachable lens formats. Folks using their APS-C lenses on a Sony E-mount would only had to content with a crop-factor instead of buying separate adaptors. Thanks to this brilliant idea, the E-mounts had arguably the widest range of affordable third-party lenses from Tamron, Sigma, etc..


On a visit to the Sony Camera Lounge in Lajpat Nagar, I noticed a smaller, lighter model - the Alpha-7C2 with a 28-60mm kit lens. From its size I assumed this was an APS-C model but was quite amazed to learn that this was Sony's first full-frame, compact model launched as A7C in 2020. I loved its clean lines, weather-proof built, the retro look of its silver trimming, minimalist use of dials and switches, its fully articulating screen, and the fact that it had an EVF view-finder too!


I liked the fact that the A7C had been tried and tested in the market for the past four years. It had now been replaced by the A7C-2 which is substantially more expensive. This meant that the older model was selling for an attractive discount :) The die was cast. Future Forward, LPN was offering a great deal too (cash + UPI ) - A7C body + battery + external adapter/charger + carry-bag. 


Now for the E-mount full-frame lens. Nearly all the reviews on the internet (there are loads!), had rated the standard 28-60mm kit-lens rather poorly, so, I decided to pair my A7C with a Tamron 28-200mm. The set looks beautiful. In terms of size it is just about the same weight and volume as the Nikon D90 + 18-105mm. This meant that my old faithful Lowepro would do just fine.





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REFERENCES & LINKS


CAMERAS - APS-C 

35mm Full frame 

Comparisons

Full-frame lenses

Lens Comparison:

Sony A7C Reviews

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Saturday, February 09, 2019

Prime Lens - Back to Basics




A kit lens makes you lazy. This is the first thing you learn when you step out of your comfort zone in photography.

I have been photographing with an 18-105mm lens for more than 10 years now and thanks to the convenience of zooming in and out, I had all but forgotten the basics of photography. I knew I needed to get back to the basics, to detox, to relearn, and a fixed-focus 'prime lens' seemed the best way forward.

The ones I could afford were shortlisted to the Nikkor 50mm 1.8 lenses which came in two types 'D' and 'G'.  The 'D' was a older version without an inbuilt focusing motor, and it came for less than half the price of the 'G'. Since I was using a camera body that already had a motor the former seemed better value for money - especially when it came at an an extra discount during the recent Amazon Sale.

So last month, I set aside my kit lens for the first time, and twisted into its place a brand new 50mm 1.8D. The Nikon D90 now felt like a strange new animal - lighter, faster and sharper than ever before, and yet completely unfamiliar. Despite clocking nearly 50,000 'shutter actuations' on the D90, I realised that  knew very little about the nuts and bolts, the basics of photography: focal lengths, F-stops and apertures.

They say the 50mm lens shows you the world the way your eyes see it, by "rendering images that closely match the true perspective of the human eye". Sounds nice... but when you look through the 50mm lens for the first time you feel like a horse with blinkers plodding through a tunnel. The world shrinks. Instead of just zooming you now need to use your feet and composition becomes a bit of a struggle.

The 50mm lens is also a bit puzzling with all its numbers and dials packed into a tiny ring. So here is a collection of links that has helped me re-learn photography -






Understanding Exposure and F-Stops:

And just in case you too are weighing the pros and cons of a prime lens, these might help -


Friday, November 30, 2018

At the Mazar


At first glance, Mazar may not seem like much of a city. From the far distance it looks like a a dusty patch of low buildings set in a large desert plain bordering snow-peaked  mountains. It does not have the teeming crowds of Kabul or the towering pines of Herat, or for that matter any tree-cover worth mentioning.

Yet, to me it turned out to be a city of superlatives: it had the largest and neatest airport  had seen in Afghanistan; the widest roads, tastiest breads, the most amazing array of carpets sold by the sharpest traders, and the loveliest Sufi shrine I have ever seen.


Just as the Italian military has a strong presence in Herat, it is the ISAF German forces that dominate this area. A large base sits right next to the airport with its helicopters hovering in and out, but unlike in Kabul the show of force and dominance is not in your face; it is subtle and understated. Once you step out the airport there are long straight roads lined with numerous gas-stations. 


Apparently this part of northern Afghanistan has been a source of oil and natural gas. Until the Soviet withdrawal in 1989, natural gas produced from the Sheberghan gas fields was exported to the Soviet Union, but also supported the operations of a fertilizer plant, a power station and a textile mill in Mazar-e-Sharif. Remnants of a Russian pipeline can still be seen in the outskirts of the city, along with remains of war munitions - rusted, hollow tanks, APCs and MiG aircraft chassis.

The Mazar of today seems like a flat expanse of mud-walled buildings and wide roads that radiate out from the grand mausoleum that gives this city its name - the Tomb of the Prince, the Shrine of Ali or the Blue Mosque.

It is a lovely, sprawling complex that gives you an immense sense of space. You step off the crowded streets into a garden complex that leads you through large gates, into a vast expanse of marble tiled courtyard.  

Looking around the bustling market that surrounds the Mazar it is difficult to imagine how, until just a few years ago, this city had been witness to brutal cycles of violence. Today there is a sense of foreboding that the Taliban may sweep in to fill in the power vacuum, once again.

For now you can walk around the cold marble floors of the Blue Mosque, walk around the sanctum filled with incense, and pray that this bustling city with it cheerful people is not sucked into yet another round of senseless violence.

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LINKS:

* Gas Pipeline (2013) - http://mom.gov.af/en/news/20123
* A brief history of natural gas in Afghanistan - http://mom.gov.af/en/page/4750
* Mazar-e-Sharif International Airport - http://www.germancooperation-afghanistan.de/sites/default/files/2017-Airport-EN.pdf












Saturday, March 12, 2016

Black & White


What is it that makes black & white photographs so... compelling?

Yesterday evening  sudden downpour sent me scurrying into the Visual Arts Gallery of the India Habitat Centre. At first I thought the gallery was closed - it was dark and foreboding, and yet the doors were open. I stepped in to see the hall transformed like never before.

Jet black cloth covered all the walls, the space inside had been partitioned to create a maze of stunning photoframes, sheer fabric, projections, light and shadows.

This exhibition by Shailan Parker was called "Kavadsa", an evocative Marathi word to describe that fleeting light that which filters into a room to turn the most ordinary things into beautiful works of art.



Parker is what one could perhaps describe as an upmarket photographer. The exhibition underlined not only his ability to push understated elegance to the limits, but also his access to corporate sponsors and wellwishers with deep pockets, and access to the best equipment and material.

Could such images be created with more modest equipment?

William Dalrymple has brought out his first book of photographs, "The Writer's Eye", a collection of 60 B&W photographs shot only using his Samsung mobile, and edited with a free app, Snapseed.
His inspiration came from the bleak and grainy war photography of Don McCullin, the landscape work of Fay Godwin,  and Bill Brandt, whose "brooding images were marked by a stark chiaroscuro, a strong geometrical sense of composition, a whiff of the surreal, and a taste for the uncanny and unsettling".

I wish I knew what all these words mean, but in a world where we take color for granted, B&W images that just leave us with the bare essentials of light and shadows,will always have an attraction that is difficult to explain.


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LINKS & REFERENCES

* http://www.shailanparker.com/pages/07_wallart/wallart.html
http://m.hindustantimes.com/art-and-culture/william-dalrymple-s-photo-exhibition-shot-on-phone-edited-on-snapseed/story-WY8IbVwc16CodwGGF28B0H.html

Saturday, August 01, 2015

Odd Tomato



Here is something that landed in my grocery bag last week - a tomato with a beak!

What is it that makes a fruit take up unusual forms?



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LINKS

* http://www.walterreeves.com/food-gardening/oddly-shaped-vegetables/

* http://vegetablemdonline.ppath.cornell.edu/DiagnosticKeys/TomFrt/TomFrtKey.html

Sunday, August 10, 2014

Say Cheese!


This is one of the best selfie's I've come across. Last week a random simian in Indonesia triggered a huge debate on copyright and IPRs.

I am so glad to know that the monkey won! :)

Say Cheeese!

New Yorker (8 Aug): Wikipedia Defends the Monkey Selfie





Sunday, October 06, 2013

Tussar Silkworms




In early morning sunlight, a Tussar silkworm is an incredibly beautiful sight.

The surprising thing is that despite its large size, you are likely to miss it completely, until you notice that during the Autumn season, some trees have been stripped of all their leaves. 

Tussar silkworms come in shades of green that blend perfectly into the foliage of Arjuna trees (Terminalia arjuna). If the color does not fool you, it also has a'twig' color-band along its sides. And like one of those fancy trailer trucks on our highways, it has a string of orange 'lights' running the length of its body!

Do these 'lights' serve some purpose? I've been scouring the net for more information but nothing has turned up so far..

Tussar silk ("Kosa" in Sanskrit), alongside Eri and Muga, happen to be some of the earliest non-plant fibers adopted in India. Yet, it is surprising to see so little information available on Google Scholar about their origins either as traded goods, or in terms of entomological studies. 



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LINKS:

- Fiber Stories -- http://www.naturalfibres2009.org/en/stories/silk.html
- Tussar Silk -- http://www.utsavpedia.com/textiles/tussar-silk-the-story-of-wild-silk/
- http://www.copperwiki.org/index.php?title=Tussar_Silk
- Prasad, Mahesh (2011): INDIA'S FOREIGN TRADE - FROM ANTIQUITY TO DATE, Google books -- http://books.google.co.in/books?hl=en&lr=&id=P2KyHFkBh9EC&oi=fnd&pg=PA7&dq=tussar+silk+history&ots=vyC6nfgeJ-&sig=Z44Gn6GuQZ-ORB2wezi_dTWAYfI#v=onepage&q&f=false
- Wardle, Thomas (1880): Wild Silks of India - Principally Tusser -- Google Books -- http://books.google.co.in/books?hl=en&lr=&id=24kIAAAAQAAJ&oi=fnd&pg=PA1&dq=tussar+silk+history&ots=6NVQ3DvL6V&sig=cB9NwpJ_P1nsZt1AX9N-RlWqnxk#v=onepage&q&f=false

- Kosa Silk -- http://www.utsavpedia.com/textiles/kosa-silk-the-heritage-of-chattisgarh/


Tuesday, September 03, 2013

The Right Swallow

What a remarkable coincidence!

Just the day after I struggled to identify an unusual, elegant bird perched on an electric line, it turned up as the IBC bird-of-the-day!


Wire-tailed Swallow

Pic by Sid Adhikari
Source: Internet Bird Collection - http://ibc.lynxeds.com/photo/wire-tailed-swallow-hirundo-smithii/sitting-dead-tree

Saturday, November 10, 2012

Chasing Rainbows


What is the story behind this iconic photograph of the Patola palace in Tibet?

The photographer, Galen Rowell was leading a tour-group when it suddenly started raining. From his years of experience, he anticipated this frame and invited the rest of the group to join a one-mile-run to get the right vantage point for the perfect frame. They all preferred to stay back at camp and have dinner instead.

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LINKS / REFERENCES

Rockwell, Ken (2011): RISK - You Have to be Willing to Lose to Win, url - http://www.kenrockwell.com/tech/risk.htm

Galen Rowell - http://www.beautifuldaze.org/2012/01/galen-rowell.html





Saturday, September 01, 2012

A Grasshopper Couple

Which is this strikingly beautiful grasshopper couple, perched in a Papri tree?



Answer from Shaku, 10 Sep., 2012:


Ak grasshopper/Painted grasshopper (Poekilocerus pictus).

LINKS:

http://indianaturewatch.net/view_cat.php?tag=Painted%20Grasshopper
http://www.whatsthatbug.com/2009/10/11/grasshopper-from-india/
http://commons.wikimedia.org/wiki/Category:Poekilocerus_pictus



Sunday, May 27, 2012

Sunday Birds


How many birds can be spotted on a Delhi summer morning?

White-throated Kingfisher (Halcyon smyrensis)


Indian Robin

Rosy Starlings??

Black Drongo (Dicrurus macrocercus)

House Sparrow

Ashy Prinia

Crested Lark (female)



Purple Sunbird (male)

Rock Pigeon (Columba livia)

Green Bee-eater (Merops orientalis)


Others in the spotted-but-not-shot category:
  • White-brown Bush Robin (Tarsinger indicus)
  • Coppersmith Barbet (Megalaima haemacephala)
  • Indian Grey Hornbill (Ocyceros birostris)
  • Common Hoopoe (Upupa epops - wonder what the Latin means?!?)
  • Asian Koel (Eudynamys scolopacea)
  • Rose-ringed Parakeet (Psittacula krameri)
  • Indian Swiftlet (Collocalia unicolor)
  • White-rumped Needletail (Zoonavena sylvatica
  • Hume's Owl (Strix butleri) --- not sure: to be confirmed
  • Laughing Dove (Streptopelia senegalensis)
  • Yellow-footed Green Pigeon (Treron phoenicoptera)
  • Shikra (Accipiter badius)
  • Black-shouldered Kite (Elanus caeruleus)
  • House Crow (Crovus splendens)
  • Large-billed Crow (Corvus macrorhynchos)
  • Asian Brown Flycatcher (Muscicapa dauurica--- not sure: to be confirmed



Wednesday, May 16, 2012

Nilgai & Shades of Grey


A Nilgai (Litt. 'Blue-Cow'- Boselaphus tragocamelushas been foraging in our neighborhood for the past few week. Every time I see I see this magnificent wild animal, I wonder if I am color blind.

I see shades of grey, brown, black and white (on the hoofs) but at no point during the day or night does it look blue in color...why then is this antelope called a Nilgai??





Sunday, October 30, 2011

NCR Delhi: Pics & Unanswered Questions

Garbage Bins, Janpath: Right in the middle of the most touristy street market in Delhi, these two garbage-bins have been placed upside down for the past four years. Why? - because Delhi Police is afraid that some terrorist might place bombs in them. If so, what can be reason for not removing them permanently?


Open drain bordering Harola, Sector 5, Noida: The plastic bags are floating atop noxious drain-water, and yet, the entire stretch is a blind spot. Food-carts and restaurants continue to cook and sell their stuff nonchalantly, all along this stretch, amidst swarms of flies...and nobody seems to care. Why?

Un-Fare: Autos with UP number plates are harassed and bribed by policemen in Delhi and the compliment is returned by their counterparts in Uttar Pradesh. The drivers have the convenient choice of making monthly bribe payments (~ Rs. 1500), at any five designated point. Since they are not obliged to go by the meter in any case, the cost is passed on to the passengers. Nobody complains - why?


In Delhi Metro, why are many cars marked with the number "6"?
Also, why are two painted "bulls-eyes" kept dangling from the roof of Laxmi Nagar station?

Do eavesdropping tigers also get dunked in Yamuna after the puja-season? ;)









Thursday, June 02, 2011

Monsoons: Arrived On Time!

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Its a breathtaking sight from the seashore.

As far as the eye can see, a massive wall of dark grey clouds silently approaching the Kerala coast, bringing in a season of torrential rains. It is an event carefully monitored by the Met Department, for, in these clouds, hangs the fate of agricultural production in much of the Indian subcontinent.

Here are some pics from Valiyathura Pier in Thiruvananthapuram, Kerala - 

A turbulent Arabian Sea

 A fishing boat being readied on Valiyathura Pier


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LINKS:
  • Indian Meteorological Department: Monsoon Updates - http://www.imd.gov.in/section/nhac/dynamic/Monsoon_frame.htm
  • Much awaited southwest monsoon sets in over Kerala, 3 days before normal . The Hindu 30 May 2011. http://www.hindu.com/2011/05/30/stories/2011053058901100.htm
  • South-West Monsoon Active Over Kerala. ToI 31 May 2011. http://articles.timesofindia.indiatimes.com/2011-05-31/india/29603548_1_meteorology-sources-kerala-and-lakshadweep-south-arabian-sea

Thursday, May 26, 2011

Backyard Biology

Some more insect ids from Shaku (previous post - here)

These are insects that abound in the sultry heat that precedes the arrival of the South-West Monsoons in Kerala, India.



A looper-caterpillar pretending to be a broken twig. Loopers mostly belong to family Geometridae and are minor pests of different crops.  They are excellent at camouflage and caterpillars feed on leaves and sometimes fruit or flowers. http://en.wikipedia.org/wiki/Geometer_moth


 Cucumber beetle (Family Chrysomelidae). Perhaps it it is Aulacophora flavomarginata - Black back cucumber beetle  http://www.ipmimages.org/browse/detail.cfm?imgnum=5368034



Cucumber Moth http://en.wikipedia.org/wiki/Diaphania_indica



Oriental fruit fly  http://en.wikipedia.org/wiki/Bactrocera_dorsalis


Coconut rhinoceros beetle female.  The male has a much more magnificent horn.   http://www.guaminsects.net/uogces/kbwiki/index.php?title=Oryctes_rhinoceros

Friday, April 08, 2011

Bangalore to Vythiri


Pics from a road-trip to Wyanad and the forest ranges in the Western Ghats, South India.


View Vythiri, Wyanad, Kerala (3-5 April 2011) in a larger map