Showing posts with label product design. Show all posts
Showing posts with label product design. Show all posts

Saturday, February 05, 2022

A Mug That Cheers

 


"Do you see how the edges are curved? It fits out lips better..." - Ayse Birsel, TEDxCannes


One thing I discovered this winter is the joy of holding a beautiful, ceramic mug, and sipping a hot drink on a cold winter day. The drink could be anything hot - tea, coffee, rasam, or just plain warm water - what matters is the comfort of holding such a mug, cupped in your hand, while sitting at your table or just staring out of the balcony, and letting your thoughts wander as the world going by.

This is not something I had given much thought to earlier - after all, a mug is a mug is a mug, and it is different from a cup! We have always had on kitchen racks an assortment of mugs - the small ones for chai or coffee, the slightly larger, bright red ones that we got for free with branded coffee powder, the monogramed ones we got from various places, and a few larger more stylish singles - the last survivors from the lovely sets we had got as thoughtful gifts from friends. 

Our specifications got a little more stringent this winter. The standard flat-bottom mug just would not do! - it had to have a rounded bottom that could be cupped comfortably in both hands; it had to hold more than 350ml; it had to be stable, and not topple over easily when perched on a tray in transit; the mug had to be balanced - not too heavy, or too light,  and of course, it had to look good and feel good in your hands;  something you would feel like picking up - just for the joy of it.

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Monday, October 31, 2011

Steve and the Perfect Staircase


Steve Jobs is listed as an inventor in 317 US  patents.

Most of them are, quite predictably,  related to computers and peripheral devices, but there are notable exceptions - and one of them is a patent for the glass staircase that adorns Apple stores!


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MORE INFO:

Ifo Apple Store - Glass Staircase - http://www.ifoapplestore.com/stores/glass_staircase.html

Patent Document - PDF file - http://pdf.ifoman.com.s3.amazonaws.com/staircase_page_patent_c.pdf

Seven Iconic Patents that Define Steve Jobs (TechCrunch, 25 Aug 2011) - http://pdf.ifoman.com.s3.amazonaws.com/staircase_page_patent_c.pd

Apple Patents show Steve Jobs's Attention to Design (NYT Aug., 2011)
http://www.nytimes.com/2011/08/26/technology/apple-patents-show-steve-jobss-attention-to-design.html

Steve Job's Patents (NYT Interactive Feature, 5 Oct., 2011) - http://www.nytimes.com/interactive/2011/08/24/technology/steve-jobs-patents.html?ref=technology#

A Sister’s Eulogy for Steve Jobs By MONA SIMPSON (October 30, 2011) -- http://www.nytimes.com/2011/10/30/opinion/mona-simpsons-eulogy-for-steve-jobs.html?_r=1&pagewanted=all%3Fsrc%3Dtp&smid=fb-share

Tuesday, January 18, 2011

Which is Your Favourite Alphabet?

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An interesting interview with the typeface designer, Erik Spiekermann... About his getting a kick out of being the `unknown author`... and the joy of making railway timetables easier to read.
That is what makes a nations culture - the visual surroundings: good architecture, good food and good timetables, or good announcements at stations. I think it is a very important cultural contribution...You can make the most amazing design but most people will never notice it, and that, in fact, is the important point - nobody is supposed to know it has changed - it just `got better`.


Bonus: Spewing venom on Microsoft. `Just to avoid paying Linotype license fees for using the Helvetica font, they contracted Monotype-UK to redesign it...`. Considering the time and money Microsoft spends to protect their own copyrights, it is disconcerting to know how they go about appropriating  copyrights of others.

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LINKS

Saturday, May 17, 2008

Designing to Succeed - Ideas from Japan's Manufacturing Sector

CSIR has come up with a brave new scheme to encourage entrepreneurship among its scientists and researchers. As one of the largest publicly funded R&D organizations in the world, we can expect, in the years to come a surge in scientific entrepreneurship. If there is one area that desperately needs a strong dose of entrepreneurship, it must be the manufacturing sector, which is essential to absorb a growing workforce and to ensure sustainable growth of our economy.

In India, not many places have the tag ‘low-cost manufacturing hub’ - that prize has already been taken by the coastal provinces of China and South-east Asia. While we dither with our infrastructure and regulations, the Chinese have grabbed a good chunk of our market for manufactured products. While some of our manufacturers struggle to compete with the Chinese, we often forget they are merely running on a path that was originally laid by the Japanese a few decades ago -- copy, counterfeit, innovate, and succeed.

These are points on a learning curve that has many lessons for India – especially if we, like the Chinese, examine and learn from the proactive role of the government in promoting the Japanese manufacturing industry.

In the 1950's the Japanese were ridiculed for their cheap and counterfeit products – brittle toys, shoddy bicycles and electrical appliances that anything but durable. An image we now associate with Chinese products that have flooded the international markets. How did the Japanese manufacturing industry metamorphose and create for itself a diametrically opposite image of high-technology, quality, workmanship and durability?

From the outset, the Japanese Government has been honest in identifying the country’s weaknesses and creating policies, institutions and incentives to overcome them. Keeping the manufacturing sector focused on exports has always been an economic imperative for a country that was short on natural resources – they had to focus their efforts on efficiently managing what was available, while keeping a sharp eye on the international markets. Take, for instance, their approach to an important aspect of manufacturing – product design.

In a white paper on the economy published in 1956, the Japanese government singled out Design as a serious weakness. It was recognized that design awareness was quite low even at the corporate level, among companies that aspired for the ‘exporter’ status. A Good Design Selection System (commonly called the "G-Mark" system) was instituted by the Ministry of International Trade and Industry (MITI - the forerunner of today's METI).

Leading designers were called in to the selection committees; young graphic designers like Kamekura Yusaku was invited to design the G-Mark logo that went on to become a widely recognized design classic- just like his posters for the 1964 Tokyo Olympics. Wide press coverage helped enhance the credibility and transparency of the entire selection process.

In its early years, the G-Mark system encouraged simple and functional modeling - a blend of modernist design principles and postwar populism that came to be recognized later as something uniquely Japanese.

Once the system got a foothold in the collective consciousness of the Japanese manufacturing industry, as well as the general public, MITI threw open the competition to the public. From its seventh year onwards, in 1963, G-Mark started advertising for nominations from anybody who could think differently.

Applications started pouring in from individuals, small companies as well as mega corporations. Newspapers started chasing stories and fuelling an abiding public interest in the nominations – much like the Oscars for the movie world. Today, the G-mark awards are an event eagerly awaited annual event in Japan.

Over the last fifty years, the G-Mark has singled out over 30,000 products for design excellence, in products ranging from the classic Nikon-F camera (1966), Sony TR-610 transistor radio (1968) and Walkman (1979) to the latest, energy efficient N700 Bullet Trains (2007) that travel at over 300kmph, setting new benchmarks in rail transportation. Public recognition and commercial success have turned out to be attractive incentives for individuals and companies to come up with newer, more energy efficient designs.

Having successfully built the credibility of G-mark, METI privatized the system in 1998. It is now operated entirely independent of the government, by an agency called Japan Industrial Design Promotion Organization (JIDPO).

The surge in innovation and manufacturing was backed up by a strong patent’s office. By keeping Japan Patent’s Office under MITI - the same ministry that created the G-Mark system – the government not only ensured synergy but also minimized the time required for an innovation to move from the labs to the marketplace.

Given the competitive environment that has been created at home, it is hardly surprising that Japan's manufacturing industry is one of the major driving forces behind its economy. Manufacturing accounts for 22.5% of Japan's real GDP, employs 18% of the country's working population, and more significantly, manufacturing goods account for 93% of all exports from Japan.

India has a long way to go. Manufacturing sector contributes 17% to India's GDP and 12% of employment. Our National Strategy for Manufacturing (NMCC, March 2006) clearly recognizes that a substantial manufacturing base is essential to absorb the workforce and ensure sustainable growth of the economy. It goes on to say that India should aspire to be a global leader in agro-processing, textiles & garments, automobiles and auto components, pharmaceuticals, chemicals and petrochemicals, leather & footwear.

The decade 2006-2015 has been declared the Decade of Manufacturing for India. The Prime Minister has also announced the launch of a ten-year National Manufacturing Initiative with a focus on firm level and macro economic initiatives required to the domestic industry globally competitive.

While aiming our sights at global leadership in, we need go beyond the role of playing second fiddle in the global outsourcing model. We have to create credible institutions that encourage innovation and public participation towards creating a product design paradigm that is uniquely Indian.

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REFERENCES:
1. Economic Survey 2006-2007
2. The G Mark and Good Design, The Japan Journal, April 2008
3. National Strategy for Manufacturing", National Manufacturing Competitiveness Council (NMCC), March 2006
4. Guide to Japan’s Patent System - U.S. Department of Commerce (November 1995)
5. Good Design Award website - http://www.g-mark.org/english/

Sunday, November 18, 2007

Design, Style and Functionality

I was catching up with some of last weekend's columns when I came across an interesting piece by Shoba Narayan (TheGood Life, Mint-Lounge), titled, "Where Style and Functionality Converge".

It was a nice update on some contemporary designers:

Naotsu Fukasawa: A recluse who designs everything from hi-tech gadgets to toasters and plates, through his company Plusminuszero. His designs follow Louis Sullivan's dictum, "form follows function" -

His objects don't simply take up space; they don't shout and scream for attention. They simply recline in soft repose and wait for you to discover them...Take for instance his sole bag - a large bag with a canvas shoe-sole bottom that makes it perfect for resting flat on the ground.


Neil Foley in Bangalore - the 'Jellyfish Light'

Lokus Design, Pune and its sleek furniture for Jindal Steel.

Design Direction, Pune for award winning medical equipment, as well as bio-degradable sandals called. "Solemates".

And Kerala's Kumbham range designed by K.B. Jinan, a social activist and designer who is helping revive the traditional terracotta craft.