Benjamin Zander on "Transformative Power of Classical Music". This would count among the most cheerful and engaging TED video's I have seen.
While explaining how music connects to our deepest emotions, Zander says at one point, "This is a B. The next note is a C. And the job of the C is to make the B sad. And it does, doesn't it?"
In fact it does. This made me wonder if there was any connection between Western classical notes that evoke a particular emotion, and their equivalent in the Indian classical "Swara-maala". In the Hindustani classical tradition, Raagas that evoke a feeling of sadness ("Karuna" / Compassion) are - Desh, Vihag and Peelu.
If B and C are considered equivalent to Sa and Re across scales, does this combination figure in Desh, Vihag and Peelu as well?
Amongst the three, the combination of B and C (or, roughly, Sa and Re) seems to be there only for Raag Desh, and that too only in the ascending notes (Aaroha).
Is this because the Karuna has a much deeper meaning than just "Sad"? Or am I missing something here?
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LINKS:
* Western / Indian Note Equivalents - http://chandrakantha.com/articles/indian_music/western_Indian_scale.html
* Mood and Nature of Indian Classical Ragas - http://musicalescapades.com/useful-articles/moods-nature-raga-raaga.htm
* Raga's - http://www.soundofindia.com/raagas.asp
* Solfege - https://en.wikipedia.org/wiki/Solf%C3%A8ge
